A.J.Simmonds / Writer for Hire
COPY DECK — Teaser Campaign
BRIEF
Audience:
Adults 18–50, politically aware, fans of satire and British absurdism.
Goal:
Film4 wants a campaign that feels bitingly British, absurd, and uncomfortably real — think The Death of Stalin, Black Mirror, Don’t Look Up. The tone should mix dry wit with genuine pathos, showing the comedy in collapse.
Tone:
Dry, intelligent, and darkly funny. Think understated panic in polite language. Contrast bureaucracy with apocalypse for comic tension.
Deliverables:
3 comedic tagline options
30s trailer supers (balancing humour with impending chaos)
TAGLINES
1.Keep Calm Keeping Calm.
2.Please Remain Calm. Please. Sorry.
3.He's Acting Prime Minister.
ROUTE 1 - Keep Calm Keeping Calm
Supers / VO (30s)
[SUPER] KEEP CALM AND…
[SUPER] …WELL, JUST KEEP CALM.
[SUPER] HOW ABOUT: KEEP CALM KEEPING CALM?
ROUTE 2 - Please Do Not Panic
Supers / VO (30s)
[VO] “This is an emergency announcement from what is left of the UK Government.
[VO] “Please remain calm.”
[VO] “Please do not panic.”
[VO] “Please?”
[VO] “Would that be alright?”
[VO] "Sorry.”
ROUTE 3 - He is Our Acting Prime Minister.
Supers / VO (30s)
[SUPER] THE STAGE IS SET
[SUPER] THE CURTAIN RISES
[SUPER] HE IS OUR ACTING PRIME MINISTER
[VO] Acting Prime Minister?
[VO] He couldn’t act his way out of a bloody am-dram pantomime.
RATIONALE
Route 1 -
This route subverts the authoritative coolness captured by the iconic 'Keep Calm And Carry On", which represents a classic stiff upper lip associated with wartime Britain . By warping this phrase into an awkward and inelegant question in the final Super, it suggests that the government has lost control and is faltering under pressure.
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Route 2 -
This route plays with the idea of exaggerated politeness and incompetence in the face of National emergency. It proceeds from something stark and attention-grabbing, and descends into a a hesitant pleading request for reassurance and forgiveness, providing a mismatch between crisis and tone.
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Route 3 -
This route plays on a literal reading of 'Acting Prime Minister'. Yje tone is set with Supers compating the British government to a stage production. However, any sense of authority is undercut with the brash VO that gives an uncharitable view of the prime minister's professional ability.​
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